Are you up for seeing some more antique quilts? This one began as six antique quilt blocks found in a corner of a thrift store. They were never made into a quilt probably because they were all wonky sizes. The wise woman who discovered this find at the thrift shop brought the blocks home and evened them all up with wonderful half square triangles to surround each block. I think this makes the blocks seem like so much More. They began as rather humble looking and have been transformed into something more complex, but still retaining their basic simplicity. She then added some pieced patriotic alternate blocks and some patriotic setting triangles. The quilt is finished off with a patriotic print border. Isn't it incredible how something old can be made into something so current and fresh? Yet, to my eye it still resonates with that "from the past" vibe. The gorgeous hand quilting adds to the antique effect.
This unfinished quilt top is from the 30's and is in a pattern called "Broken Star". Trust me, no special cutting tools or piecing papers were used to construct this. It is all hand pieced.
This quilt may be from Maryland. Why? Because the Black Eyed Susan is the State Flower of Maryland! No one in our group had ever seen this pattern before.
Another Lone Star quilt. These were just the rage in the 30's and 40's. It seems like everyone was making them. A bit higher level of difficulty than our popular Turning 20, wouldn't you say?
Check out the tiny stitches in the hand quilting.
I should mention that most of these quilts were damaged in some way. Either they were unfinished, stored poorly, stained, faded, or worn just about to death. To me, a few stains or spots just add to the charm of a well used and loved object from the past. However, if one intends to continue to use or display these old treasures, some new owners are inclined to tackle some repairs, particularly if an area is damaged seriously. This could be rather risky business if you don't know what you are doing.
The quilt below had quite a bit of wear, mainly on the top and on the edges. Some owner along the way had also decided to expand the width of the quilt by adding on an additional border, and it was recommended that this be removed and the quilt rebound. The quilt historian is pointing out how a small hole in the patchwork can be repaired without damaging the integrity of the quilt. She also explained that if you are replacing a piece of fabric with a modern one, you should try to achieve the faded bleached out effect of the original quilt. To do this, you take a modern 30's reproduction print and swozzle it in a basin of Cloroxy water. This will fade the color a bit so the patch will blend in better with the worn fabrics in the quilt.
Isn't the border on this quilt tricky looking? All those diamonds! The quilting isn't too shabby either.

Another hand pieced beauty below. Isn't the hexagon shaped lattice work dear? The women in the group were excited to be able to pick out several prints that have been copied and reissued by current fabric houses. The historian had a pet peeve that many people who are selling old quilts assume that any little calico print is a "feed sack". She was quite adamant that feed sack prints are very unique and that there is much confusion as to what constitutes one. I wish she had had the time to give us a lecture on how to tell!
This next one is my favorite. It was used just about to pieces. It was very faded from use and many washings and hanging out in the sunshine on someone's clothes line. The tiny squares were about an inch in size. It came from Kansas. Very Little House on the Prairie.
This entire experience was so interesting and made me really want to learn more about old quilts. I hope you enjoyed seeing them too.